Ogura hyakunin isshu 小倉百人一首 review ´ 9

review Ogura hyakunin isshu 小倉百人一首

Ogura hyakunin isshu Wikipdia Le Ogura hyakunin isshu 百人一首 lit Cent pomes de cent potes est une clbre compilation de pomes classiues japonais Ce nom peut aussi faire rfrence au jeu karuta ui se Ogura Hyakunin Isshu Wikipedia WikiZero Ogura hyakunin isshu Le Ogura hyakunin isshu 百人一首 lit Cent pomes de cent potes est Ogura hyakunin Kindle une clbre compilation de pomes classiues japonais Ce nom peut aussi faire rfrence au jeu karuta ui se Ogura Hyakunin Isshu Japanese Historical Text Yamabe no Akahito Tago no Ura ni Uchi idete mireba Shirotae no Fuji no takane ni Yuki wa furi tsutsu Ogura Hyakunin Isshu Eklablog Ogura Hyakunin Isshu C’est un recueil de pomes classiues japonais crits par potes diffrents au moyen ge La plupart d'entre eux Wanna reed some pomes With purdy pitchurs Tanka Tanka very muchWhen a collection is 8 ish centuries old and most of the poems themselves much much older you have to do the eggshell strut to make sure you aren t getting one of the completely bogus translations amidst the hundreds or in print Well I suppose cautious consideration should be applied to any book in translation from any period in time but I found the contrasts between interpretations of these tanka meaning eency weency poems simply from comparing two editions to be uite striking in a deal or no deal sort of way I first perused a much newer and not uite up to snuff interpretation of the Ogura Hyakunin Isshu before giving this one my letter jacket In an attempt to do something new with previously heavily charted territory insert sex joke and modernize this ancient text Peter McMillan in his sorta blah version titled One Hundred Poets One Poem Each removed the rhyme scheme which makes this William Porter s version flow like a chocolate fountain of tasty awesome Summary of point one read this translation Sure it puts effort into sounding sing songy than the particularly borderline forcibly non rhymey McMillan translations but that s part of what I love about them I grew up on Doc Seuss picture books and doo wop soda shop pop lyrics just like anyone else There ain t a thang wrong with a little AB AB or even a straight up coupletThe poems themselves were composed mostly by Imperial courtiers and examine issues which are time and culture specific such as the royal family and inner ruling class concerns while also touching upon universal themes of lovelosslonging the beauty of nature melancholia what it means to exist at all etc etc Something for everyone Also some of them are kinda funny in that cloudy day nihilistic sort of way that would come to dominate the land of modern lyrics about lurrrve To fall in love with womankindIs my unlucky fate If only it were otherwiseI might appreciateSome men whom now I hate Like I said themes still relevant today And alwaysAs a bonus this version contains woodblock illustrations and brief notes on each piece as well as the poem in its original Japanese characters and their Romanizations so you can read them aloud and feel smurt if you want to Not that Ididthat I mean PLEASE do you honestly think I talk to myself Psssh Huhuh Whew

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Ogura hyakunin isshu 小倉百人一首

Vivaient l'poue de Heian – l'ge d'or de la posie japonaise de cour Ogura Hyakunin Isshu | Chihayafuru Wiki | Fandom The Ogura Hyakunin Isshu 小倉百人一首 often simply called Hyakunin Isshu lit One Hundred Poets One Poem Each or Hundred Poets is a collection of traditional Japanese poems by Ogura Hyakunin Isshu Japanese Historical Text Introduction What is Ogura Hyakunin Isshu Sources of the Texts and Images Acknowledgements A Note on the English Translation About Software That Can Read and Input Japanese Characters For Readers with Japanese client software Parallel Texts in frames with Interactive Searching ca K Parallel Texts no frames ca K Interactive Searching for Words and Characters in Japanese hyakunin isshu ditions tanka Le Hyakunin Issh Recu The back of this elegant little booklet says Around 1235 Japanese poet and scholar Fujiwara no Teika compiled for his son s father in law a collection of 100 poems by 100 poetsWithin its chronological summary of six centuries of Japanese literature Teika arranged a poetic conversation that ebbs and flows through a variety of subjects and styles The collection became the exemplar of the genre a mini manual of classical poetry taught in the standard school curriculum and used in a memory card game still played during New Year sLarry Hammer the translator not only gives alternate meanings for phrases but he furnishes clues to meanings otherwise hidden to the Westerner ignorant of the subtleties of the various styles through these six centuries of Japanese historyHere s one that I liked 80 Empress Haiken s Horikawa Whether his feelingswill also last I don t know and my black hair isdisordered as this morning my thoughts certainly areThe image of the lover with long ruffled hair is so evocative and romantic About it Hammer says An attendant of the imperial court the origin of the use name Horikawa moat river is uknown but it seems unrelated to the earlier emperor of that name Again the mono thought about is clearly the other personHow about this one 92 Sanuki My sleeve is likea rock in the open sea unseen at low tidefor no one knows about it and so it never dries outThat s evocative enough right there and then Hammer furnishes the hidden clues A lady in waiting to retired emperor Nijo and later to a consort of Go Toba her use name is from Sanuki Province now Kagawa Prefecture but her connection to it is obscureWritten on love compared to a stone The original can be read as that it s either people in general or a particular person who does not know her sleeves are wet Sleeves were normally all that a modest court lady showed of herself in public so the implication is she s hiding hers to avoid revealing they re damp from crying over a broken heart keeping them from dryingThe poems do ebb and flow furnishing an elliptical or elusive conversation if one reads them in order But I found eual pleasure in opening the book anywhere and picking one to read and think about

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Eil de cent pomes de cent potes des cimes du mont Ogura avaient une me attendraient elles une fois encore le passage de Sa Majest en visiteFujiwara no Tadahira Mika no hara wakite nagaruru izumi gawa itsu mi kotote ka koishi karuran Hyakunin isshu One Hundred Poems by One The Ogura hyakunin isshu is a collection of one hundred poems composed for the most part over a period of some three hundred years from the early tenth to the early thirteenth century Saionji Kintsune Wikipdia Saionji Kintsune dans le Ogura Hyakunin isshu Saionji Kintsune 西園寺公経 octobre est un courtisan kugyō de premire catgorie et pote japonais de la fin de l' poue de Heian et du dbut de l' poue de Kamakura Son pre est Fujiwara no Sanemune et sa mre la fille de Jimyōin Motoie Nice rendition for a novice reader of Japanese poetry Educational about the history of the Hyakunin Isshu without being pretentious Each page consists of a beautiful Japanese portrait on the left page and the text on the right page The art is wonderfully enhanced although the book would have been nicer in color The text on each right page was laid out in a diamond pattern At the top was the title followed by the author s English translation Centered left was the original Japanese calligraphy and centered right was the phonetic pronunciation of the Japanese This was a particularly nice touch after reading about the poems meter of 57577 but not seeing that in the English Saying it in Japanese added a layer of beauty I would have otherwise missedAt the bottom was the notes pertaining to the translation many times demonsrating how difficult literal translations can be when a single symbol can have multiple meaningsI was not happy with the interpretations of only some of the poems The author offered interpretations of the first three poems but then gave nothing for the fourth and fifth Six through fifteen are explained but seventeen is without explanation There seemed to be no rhyme or reason to how the author chose which poems to interpret


10 thoughts on “Ogura hyakunin isshu 小倉百人一首

  1. says:

    Soon we will not bein this world togetherAnd all will be a memoryNow for just a moment How I wish to meet— Izumi Shikibu

  2. says:

    Kakinomoto no HitomaroOh the foot drawn trailOf the mountain pheasant's tailDrooped like down curved branchThrough this long long dragging nightMust I lie in bed alone Ono no KomachiColor of the flowerHas already f

  3. says:

    Wanna reed some pomes With purdy pitchurs Tanka Tanka very muchWhen a collection is 8 ish centuries old and most of the poem

  4. says:

    One Hundred Poets One Poem EachTranslated by Peter MacMillanDating back to the seventh century these treasures of ancient Japan’s poetry are the most popular and widely read poems in Japan even today On spring and summer on autumn and winter on travel and rest on grief and above all on love these short poems are the precursors of

  5. says:

    The back of this elegant little booklet says Around 1235 Japanese poet and scholar Fujiwara no Teika compiled for his son

  6. says:

    In the 13th century CE a nobleman named Teika of the Fujiwara clan compiled an anthology of 100 poems each by a different poet the Hyakunin Isshu This volume wasn’t uniue but as Larry Hammer notes in his foreward this particular collection ha

  7. says:

    This anthology is a testimony of the universality of poetry The collection spans six hundred years and was written by one hundred different poets from a wide range of professions yet there is a cohesion and unity t

  8. says:

    I won this book through Goodreads and I must say I uite enjoy it Blue Flute’s One Hundred Leaves starts with a brief introduction to Japanese poetry and explains how this volume came to be This introduction th

  9. says:

    Nice rendition for a novice reader of Japanese poetry Educational about the history of the Hyakunin Isshu without being pretentious Each page consists of a beautiful Japanese portrait on the left page and the text on the right page The art is wonderfully enhanced although the book would have been nicer in color The text

  10. says:

    I had no idea what to expect from One Hundred Leaves but suspected I would be flummoxed by the poetry But I was wrong These poems are simple but beautiful in that simplicity Each page has a poem translation Each has the original Japanese with a pronunciation key Each has literal notes and some have further explanations such as double meanings or information about the author Finally each poem is next to a print of Japanese Art in b