(Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri) PDF ´ Giorgio Vasari

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Ective information on art and artists Didn t hate it didn t love it It felt repetitive after the 200th page and it became about finishing rather than learning about Renaissance artists I think I m actually reading the unabridged version which is sooooo much longer than this version This 2005 Dover dition is an abridged version of a 1967 two volume How to Get Into Oxbridge edition of Giorgio Vasari s Lives of the Most Excellent Painters Sculptors and Architects often called today Lives of the Artists or just Vasari s Lives The translation used is that of Mrs Jonathan Foster 1851 The artists included are Giotto Masaccio Fra Filippo Lippi Botticelli Leonardo Raphael Michelangelo and Titian Theseight artists are covered in less than 250 pages Of the ight lives that of Michelangelo takes up over 100 pagesIn the review I ll use the book s shortest chapter on Sandro Botticelli for xamples StrengthsThe book is Der Weg zum wahren Reiki-Meister extremely interesting in parts When the work was first published in Florence in 1550 Michelangelo and Titian were still living and Botticelli Leonardo and Raphael had all died only 30 40 years previously Thearliest of these artists Giotto had died in 1337 over two centuries prior to Vasari s work To read the views of these artists lives and works written by someone this close in time to them someone who was himself immersed in the culture of the Italian Renaissance can be intoxicating There s no doubt of the historic importance of the book It was the first history of art ver written and though it only treated Italian art and ven there tended to favor somewhat chauvinistically Florentine artists the Introduction to the book makes many favorable points about it The minute descriptions of hundreds of works of art though Anatomisk bildordbok elementary laid the groundwork for many of thelements of art history the development of compositional structure and the manipulation of color the analysis of the meaning of changes in style and subject matter which were to be taken up by later historians view spoilerThough my Neurosurgical Classics II edition does not specifically credit the Introduction to anyone I assume it was written by theditor of the 1967 Ostopathie crnienne : Manuel pratique edition andminent art historian Marilyn Aronberg Lavin hide spoiler I absolutely love the Renaissance The history the art the literature Keeper's Compendium: Blasphemous Knowledge Forbidden Secrets everything I find it fascinating and amazing And windows into the history like this book are amazing And indeed this book was wonderfulVasari was architect to Duke Cosimo I de Medici he built the Uffizi gallery the Vasari Corridor and did various paintings and such including the interior of the Duomo and also some portrait I personally do not love all of his art In any case he was also the first art historian and I highly respect thatHe spent a lot of time going around looking for information for this book of his And I m very grateful because some of the little anecdotes he wrote in here are hilarious It was uite amusingBut thcomplete thing is so intensely long some 2000 pages I believe in full that people never print it in its In Over Her Head Chloe Babineaux Private Investigator entirety Thus I ve spent months looking for a gooddition I have one that s falling apart that I bought in Rome and Säure-Basen-Einkaufsführer every time I open it I have an allergy attack And then I found thisdition at Strand in Manhattan It s pretty old and out of print but it has a good selection of the artists that I like The introduction was good and the translation was asily legibleIn any case you have to take the rest of the book with a grain of salt He gets a lot of his dates and details wrong ither that or he was just really bad at math which I slightly doubt His ideas on the origins of art are fascinatingHis writing style was just fine but I forgive him because it s a translation and he was an artist not a philosopher But The Facial Nerve each Life follows a formula general statement list ofverything the artist has ver done cute anecdotes about their life #I EXPECTED IT TO BE OF #expected it to be of biography than a catalog But sometimes he contradicts himself and it annoys me For xample Giotto was the best artist Uncommon Leadership: How to Build Competitive Advantage by Thinking Differently ever and then 50 pages later Giotto was horrible he gotverything wrong Also he sometimes spoke in the 3rd person about himself which I found weird He also doted so much on Michelangelo that I had to skip half of that section because I couldn t stand it anyMy favorite life by far was that of Brunelleschi It was very amusingIn any case

i highly suggest 
highly suggest book to anyone who ven remotely likes Renaissance art It is fun and amusing and you can choose to read only a few of the selections rather than the whole thing Interesting to read about all the works that no longer xist Also really useful in that it makes these larger than life artists at least semi human Lots of moments like this Then Michaelangelo made a model in wax of a young David with a sling in his hand and began to work in S Maria del Fiore setting up a hoarding round the marble and working at it continually without any seeing it until he had brought it to perfection Master Simone had so spoilt the marble that in some places there was not Multichannel Marketing Ecosystems enough left for Michaelangelo s purpose and certainly it was a miracle restoring thus one that was dead When Piero Soderini saw it it pleased him much but he said to Michaelangelo who wasngaged in retouching it in certain places that he thought the nose was too thick Michaelangelo perceiving that the Gonfaloniere was below the statue and could not see it truly to satisfy him went up the scaffold taking a chisel in his left hand with a little marble dust and began to work with his chisel letting a little dust fall now and then but not touching the nose Then looking down to the Gonfaloniere who was watching he said Look at it now It pleases me better said the Gonfaloniere you have given it life So Michaelangelo came down pitying those who make a show of understanding matters about which they really know nothingI m into it Extending Symfony 2 Web Application Framework especially the lives of Masaccio and Fra Angelico Men of genius sometimes accomplish most when they work the least for they are thinking out inventions and forming in their minds the perfect idea that they subseuentlyxpress with their hands Giorgio Vasari The Lives of the Most Excellent Painters Sculptors and ArchitectsI normally don t gravitate towards abridged books but Vasari s The Lives of the Most Excellent Painters Sculptors and Architects is a book that needs to be 1 read by art history Angels Whiskey experts in itsntirety 2000 pages 2 picked through periodically like an Ritual Alliances of the Putian Plain: Volume Two: A Survey of Village Temples and Ritual Activities encyclopedic Garden of Delights 3 read abridged in a version that focuses on the Renaissance s best Vasari was interested in distinguishing the better from the good and the best from the better My time here is limited I only have so much time for the good In my brief life here I want to hang with the Gods not with the minor prophets I want Michelangelo not Niccol Soggi Sorry Niccol The Modern LibraryGaston du C de Vere translation was a great version It had all the Teenage Ninja Mutant Renaissance artists but still provided plenty of architects sculptures and painters that I wasither completely uninformed about or lacked much knowledge Vasari has. Made available the widest range of literature from around the globe Each affordable volume reflects Oxford's commitment to scholarship providing the most accurate text plus a wealth of other valuable features including xpert introductions by leading authorities helpful notes to clarify the text up to date bibliographies for further study and mu. My undergraduate degree is in Art History so I ve read my fair share of Art History books It was interesting to me the way he presented artists which was very different than any Art History book I ve ver read Most Modern Art Historians tell you why the artist is important and what he or she did for art but I ve never heard it said that this artist s work was so beautiful that you wonder if he is human or if his hand was touched by God That s how Vasari presents the artists He puts a lot of his own opinion in the biography of these artists and their works I really Wish You Were Here: An Essential Guide to Your Favorite Music Scenes—from Punk to Indie and Everything in Between enjoyed reading his opinion because by the third artist I realized that sometimes Vasari s opinion of what was great art was completely different than my own opinions It made me think that maybe it s because so much has happened in art through the centuries that time and modernism may have changed the way we look at art It was very interesting Iven read all of the biography of Michalangelo The Day Christ Was Born even though he wasn t my favorite artist to begin with Vasari loved him so much that I think I like Michaelangelo better now I also re discovered some artists such as Antonio da Corregio and Andrea Mantegna who I forgot about though I do not know why But what inflicted incomparably greater damage and loss on the arts than the things we have mentioned Constantine s move to Byzantium invasionstc was the fervent 5 Nights: Sinful Delights Boxed Set enthusiasm of the new Christian religion After long and bloody combat Christianity aided by a host of miracles and the burning sincerity of its adherents defeated and wiped out the old faith of the pagans Then with great fervour and diligence it strove to cast out and utterly destroyvery last possible occasion of sin and in doing so it ruined or demolished all the marvellous statues besides the other sculptures the pictures mosaics and ornaments representing the false pagan gods and as well as this it destroyed countless memorials and inscriptions left in honour of illustrious persons who had been commemorated by the genius of the ancient world in statues and other public adornments Moreover in order to construct churches for their own services the Christians destroyed the sacred temples of the pagan idols To The Seventh Witch embellish and and heighten the original magnificence of St Peter s they despoiled of its stone columns the mausoleum of Hadrian today called Castel Sant Angelo and they treated in the same way many buildings whose ruins stillxist These things were done by the Christians not out of hatred for the arts but in order to humiliate and overthrow the pagan gods Nevertheless their tremendous zeal was responsible for inflicting severe damage on the practice of the arts which then fell into total confusion From Vasari s Preface pp 36 7Vasari may have taken his cue from Petrarch who wrote in his poem Africa written in 1338 a year after he first visited Rome addressing the poem itself for you if you should long outlive me as my soul hopes and wishes there is perhaps a better age in store this slumber of forgetfulness will not last forever After the darkness has been dispelled our grandsons will be able to walk back into the pure radiance of the pastA century after Petrarch Leon Battista Alberti the pioneer of Renaissance art theory wrote in On Painting De pictura along similar lines as Vasari would do another century later I used to marvel and at the same time to grieve that so many And the Miss Ran Away with the Rake excellent and superior arts and sciences from our most vigorous antiue past could now seem lacking and almost wholly lost We know from remaining works and through references to them that they were once widespread Painters sculptors architects musicians geometricians rhetoricians seers and similar noble and amazing intellects are very rarely found today and there are few to praise them It must be admitted that it was less difficult for the Ancients because they had models to imitate and from which they could learn to come to a knowledge of those supreme arts which today are most difficult for us Our fame ought to be much greater then if we discover unheard of and never before seen arts and sciences without teachers or without any model whatsoever Who couldver be hard or Trickle Down Tyranny: Crushing Obama's Dream of the Socialist States of America enviousnough to fail to praise Pippo the architect on seeing here such a large structure rising above the skies ample to cover with its shadow all the Tuscan people and constructed without the aid of centering or great uantity of wood if I judge rightly it was probably unknown and unthought of among the Ancients But there will be other places Filippo to tell of your fame of the virtues of our Donato Donatello and of the others who are most pleasing to me by their deeds Alberti On Painting Prologue addressed to Filippo Brunelleschi 1435Vasari thought #of the achievements in art and architecture of the ancient Greeks and Romans as a Golden Age and that of the #the achievements in art and architecture of the ancient Greeks and Romans as a Golden Age and that of the period which followed as a period of decline He hated Age and that of the period which followed as a period of decline He hated art and architecture that s also why he chose the term Gothic it was about the worst term he could think of and he used it as a synonym for barbaric With the gradual rediscovery of the ancient works of art those which were produced in Corinth Athens Rome and other famous cities before the time of Constantine he sees a new beginning helped by some subtle influence in the very air of Italy the new generations helped by some subtle influence in the very air of Italy the new generations to purge their minds of the grossness of the past so successfully that in 1250 the heaven took pity on the talented men who were being born in Tuscany Cimabue The Pocket Wife et al and led them back to the pristine forms Before then during the years after Rome was sacked and devastadted and swept by fire men had been able to see the remains of arches and colossi statues pillars and carved columns but until the period we are discussing they had no idea how to use or profit from this fine work p 45 The Lives consists of three parts Vasari writes in his Preface to Part Two I have divided the artists into three sections or shall we say periodsach with its own recognizably distinct character running from the time of the rebirth of the arts up to our own times The first part includes Cimabue and Giotto artists that mark a new beginning opening the way for the better work which followed Then in the second period there was clearly a considerable improvement in invention and The Color of Our Sky execution with design better style and a careful finish Ghiberti Brunelleschi Donatello Fra Angelico Alberti Filippo Lippi Botticellitc This is followed by the third period when art has achieved verything possible in the imitation of nature and has progressed so far that is thas reason to fear slipping back than to xpect Obsession ever to make further advances pp 84 5 The third part includes all the giants of Renaissance art Leonardo Giorgione Correggio Raphael Michelangelo and Titian have been selected for thisdition The Life of Michelangelo is the longest by far and Vasari was proud of being able to call himself his friend Michelangelo wasn t all that happy about Cabaret: A Roman Riddle everything Vasari wrote Possibly he considered Vasari most of all a useful contact between himself an. Packed with facts attributions andntertaining anecdotes about his contemporaries Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance artBeginning with Cimabue and Giotto who represent the infancy of art Vasari considers the period of youthful vigour shaped by Donatello Brunel. D Duke Cosimo de Medici in Florence while he was working in Rome and later he asked his friend Ascanio Condivi to write about his life and to correct some of the things Vasari had got wrong I haven t read Condivi s Vita yet but I njoyed Vasari s account in spite of Michelangelo s objections to it In fact I found ven his gushing over Michelangelo both amusing and understandable and by then I had gotten used to Vasari s style and knew his strengths and weaknesses so I had no problem bearing with him Anyway Vasari later revised his account of Michelangelo based on that of Condivi and he provides a wealth of information The revised and nlarged dition of the Lives was published in 1568 and it is selections from this later All Roads Lead Home edition that has been translated here George Bull writes in his Introduction The letters of introduction to Cosimo for the 1550 and 1568ditions of the Lives cho in the obseuiousness other letters addressed by artists and writers to the Medici notably Machiavelli s letter to Cosimo s father Lorenzo at the head of The Prince the humble posture adopted in these dedications reflected perhaps standard modes of address as much as genuine servility More interesting is the manner in which both Machiavelli and Vasari interpreted political and art history respectively in terms of inevitable progression and decline and yet paradoxically suggested that the decline could be arrested by genius by the virt of a political leader or artist ndowed by nature with great ability and taught to mulate the perfection reached in the past This affirmation of virt has been called the fundamental theme of the Lives p 15 In their ntirety the Lives may fairly be called a work of art On one great canvas Vasari painted a harmonious and glowing composition which sustains with The Mephisto Threat (Paul Tallis ease the task of conveying the revolutionary nature of of what happened in Italian art between the fourteenth and sixteenth centuries He lifted the story of Tuscan art to the plane of the heroic stretching back to the uasi legendary figures of Cimabue and Giotto and forward to the inspired Michelangelo p 16 As Bull also writes it can get a bit boring at times but you keep reading because when he really likes a piece of art Vasari snthusiasm often gives his style a lift and makes him write with flair And there are ndless xamples of that in this book He s also mphatically Florence centric which gets kind of ntertaining Just Cause especially as the book progresses And Vasari provides plenty of amusing anecdotes and gossip so that this in a way makes up for the occasional parts where the writing just drags along There sg the story of Giotto s O and of how Brunelleschi to illustrate how his dome could be self supporting made an gg stand upright on a slab of marble by hitting one nd of the gg hard against it and later how he feigned illness to xpose the fact that Lorenzo Ghiberti who received the same pay was not competent to take over the work on the dome in his absence Stories and anecdotes you may have read before but this is where they are first toldThere s also this great anecdote about Michelangelo When he saw the David in place at the ntrance to the Palazzo della Signoria Piero Soderini was delighted but while Michelangelo was retouching it he remarked that he though the nose was too thick Michelangelo noticing that Gonfalonier was standing beneath the Giant and that from where he was he could not see the figure properly to satisfy him climbed on the scaffolding by the shoulders seized hold of a chisel in his left hand together with some of the marble dust lying on the planks and as he tapped lightly with the chisel let the dust fall little by little without altering anything Then he looked down at the Gonfalonier who had stopped to watch #And Said Now Look At #said Now look at Ah that s much better replied Soderini Now you ve really brought it to life And then Michelangelo climbed down feeling sorry for those critics who talk nonsense in the hope of appearing well informed p 338 9The Renaissance gave birth to great art among other things and also to the first art history Vasari was ven the first to use the term Renaissance rinascita in print One of his preoccupations was disegno drawing and making preparatory sketches was something he saw as being of prime importance for a painter I can agree with this to a large degree but this and other preoccupations could make him unjust towards some painters He also at times makes mistakes when describing paintings getting them mixed up tc possibly because he hadn t actually seen them but had to rely on hearsay These are facts that doesnt really diminish his accomplishment with the Lives because for a large part his aesthetic judgement was acute and to the point Nevertheless it is
a pity that 
pity that he was seen as an authority for such a long period of time many of these mistakes were perpetuated a few ven into our own times But however that may be by delving into Vasari s Lives you re bound to add something new to your knowledge about most of the great artists he has written about and not the least do you get to know the art world of the arly 16th century uite intimately as seen through the yes of Vasari For me this was not a book to simply read straight through I ve been taking my time and mostly Fiesta Moon enjoying bite size chunks of it and letting the book rest for a while in between readings These are all the major artists and architects of the period between the fourteenth and sixteenth centuries after all In thisdition George Bull has made his selection from the top shelf Now I ll have to get hold of the second volume of his xcellent translation of the Lives as well This work is licensed under a Creative Commons Attribution NonCommercial ShareAlike 30 Unported License An artist lives and acuires fame through his works but with the passing of time which consumes verything these works the first then the second and the third fade away After Plutarch s Lives Vasari s Lives of the Artists is likely the most iconic collection of biographies of famous men He published two The Taste of Night editions of the book the first in 1550 the second in 1568 and both found success in Vasari s lifetime and have continued to sell wellver since In life Vasari was a typical Renaissance man achieving fame for his paintings he decorated the Palazzo Vecchio and his architecture he was responsible for the loggia of the Uffizi in addition to his work as a biographer Granted his paintings are not highly regarded nowadays though many are pleasing nough to my yes but this posthumous verdict did not prevent him from making a fine living I read most of this when I was in college studying art history For fun And maybe to impress my professor because I was taking a survey course of Italian Renaissance artI got the 4 volume set from the library and read the whole first volume parts of the 2nd and 3rd and the pretty much all of volume 4 which was almost The Trust entirely about Michelangelo because Vasari was one of his BFF s It s fun if you re into art history or if you re interested in totally non obj. Leschi Ghiberti and Masaccio before discussing the mature period of perfection dominated by the titanic figures of Leonardo Raphael and MichelangeloThis specially commissioned translation contains thirty six of the most important lives as well as an introduction andxplanatory notesAbout the SeriesFor over 100 years Oxford World's Classics has.
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